This is video capture that explores highlight
Reflectance Transformation Imaging (RTI) using the RTI Viewer (provided by Cultural Heritage Imaging -
free downloadable software for view RTI captures). This RTI session was carried out by Catarina Figueirinhas and Jessica Ebert. To learn more about RTI visit the Lab's blog post on the subject:
http://blog.thepreservationlab.org/2017/04/fun-with-photodoc-rti-edition-5/ .
This is the
Katib Khosru wa Shirin,
an Archives and Rare Books collection item. You can read more about this
Persian love story,
here. This book was previously treated by Gabrielle Fox, conservator
and local fine-binder. The book is often used in classroom teaching and
presentations, so it was chosen as a candidate for RTI (Reflectance
Transformation Imaging). We conducted three separate highlight RTI
capture sessions; one of the embossed, gilt leather exterior cover, one of the
interior leather which features pigmented paper decoration with gilt leather
decoration over top of that, and finally one of the an illustration where a
significant amount of pigment was missing (represented here in this video
capture).
This video begins with in the
default mode, which allows the user to move the light position around the object. Moving the light around the object at a severe 15 degree angle allows you to view the object under raking illumination. Commonly used in conservation photographic documentation, raking illumination shows off the depths and disturbances in the surfaces texture of the object, hence why it is commonly used to illustrate tears and cockled in paper.
The
specular enhancement mode allows you to add specularity to this relatively non-specular surface. Within this mode, you can more clearly see the areas of lost pigment in this illustration, namely in the figures' faces.
The
normals visualization mode helps to show the dimension of the surface, allowing the view to more accurately see what is concave and what is convex.
The
diffuse gain mode is ideal for identifying areas of surface abrasion, such as the large scuff near the middle left of the illustration.